Get to know New York’s Franklin Livingston and some of his Pakistani actor philosophy: Thank you so much for joining us! Can you tell us a story about what brought you to this specific career path? Living in the Midwest of the United States for nearly a decade made me feel that I was expected to spend my life in a specific stereotypical way. It began with my job at the local Christian church that helped me get settled in the U.S. I was astonished when my supervisor asked me why I needed to go out and have a nice dinner, once in a while, when I had tin can soups at the place I was living at. The senior pastor of the same church explained to me that people from my background should NOT even consider dating or having a family life because we don’t understand relationships and people from the Middle East could die at any given moment. In my opinion, they were basically stating that my life and people like me should not expect to progress any further than just being sacrificial lambs. We are not entitled to normal lives and should never experience it. We are less than the standard and lucky to participate at all. Read additional details at https://ritzherald.com/franklin-livingston-a-man-of-possibilities/.

Are Franklin Livingston’s actions absurd? One of the caveat Franklin shares is that many of these young actors that work with him assume Franklin, an idiot, who probably has no clue and doesn’t know what acting or filmmaking in Hollywood is made of! This is mostly because of his humble nature and polite behavior. Despite All this, Franklin remains unmovable. He says, “it doesn’t bother me. I know I am an extensively trained actor and highly intelligent human being.” Franklin enjoys seeing upcoming American actors working and developing their confidence to become someone like known Hollywood actors who can be viewed worldwide and on social media posts and stories.

For the past five years, Franklin Livingston has been working in storytelling through stage and film in the New York City area. He is highly proficient in ethnographic research, creating writing, directing, and acting. Franklin is an immigrant who has traveled the world and internationally performed as an actor and produced many films, plays and musicals, and online projects. He has managed talent, technical crews, writers, producers, marketing staff, and social media influencers. His focus is always to capture the truth of every culture, story, and situation regarding the sensitivity of individuals, communities, and institutions.

And to finish this section, please tell us what is the one major key to your success? I am very disciplined and do not believe in shortcuts. If you want to achieve your goals, you need to put in the work. It always disappoints me when I see an actor that has completed their training, and then they think that is the end. Really, with any career you should be continuing your training up until the day you retire. I do acting exercises constantly to stay sharp. I also love to talk with strangers, or at least I used to a lot more pre-covid, and get to know their stories. I will often take an afternoon drive along the countryside and stop to talk with someone I have just met. Going into Manhattan on the Subway just to people watch is something I find very enjoyable too. These things not only keep me connected to my fellow human beings, but it is also like building a real-life character catalog of all the different people I meet that I could draw inspiration from whenever needed.

Especially in our current time — I believe that the utmost importance should be placed on awareness and empathy. My travels, experiences, and interactions have shown me that mainstream American Media and Art are just not illustrating the true human social condition and political climate we have been facing. The teams working with my companies are producing relentlessly to eliminate that void and fill it with compassion, enlightenment, and masterful storytelling.

I am a trained actor, filmmaker, and producer. I received extensive training from Atlantic Acting School, Moscow Art Theatre, New York Film Academy, and the Meisner Studio of Tisch School of the Arts at New York University. I received training in filmmaking and directing from New York University, and Yale University. I also trained at Guildhall School of Music and Drama, London. I prefer the more serious, dramatic roles that push and challenge my abilities. Please tell us how you make sure people will be fans of your work? I not only work very hard at everything I do, but I am a very genuine person. People often equate acting with pretending, but it is so much deeper than that. When I am acting, I am portraying a character that I have taken a very long time to get to know. You find a way to connect with the role you are playing so that there is personal truth in there too and when you get very good at doing this, your audience won’t be able to tell where you have blurred the line. It will feel very sincere instead, which is what viewers appreciate and deserve.

Can you share the most interesting story that happened to you since you started this career? I hired an acting coach presuming that he was impressive because he was heavily connected with local television industry in New York. However, he would continually squander time talking trash, discussing my fees, and reminding me that because of my looks that I couldn’t possibly be the kind of actor I desired to be. One day he referred to an ethnic actor and said since he is ugly and a bit fat — that is why he got hired. He cautioned me that if I wanted to be fit and charming I still will not be hired because I could never live up to the American standards of good looks to be cast in any worthwhile projects. He told me light skin and light eyes are mandatory for popular lead roles and I had neither.

With possibilities comes challenges: Like many people who have been affected by the pandemic, Franklin is no exception. He mentions that during quarantine, he developed a couple of health conditions. He gained weight, became depressed, and started showing signs of aging. He, therefore, suggests an acting technique that supports the actors and can empathize with their emotional and cognitive state so they can have well-balanced lives. Franklin goes back and reflects on all the popular American acting schools and realizes that they affect actors emotionally or disrupt their mental well-being negatively. He mentioned it’s time for classic acting schools to revisit their curriculums and research why most actors who survive their training are introverts. They after two or three years of training, their actors end up becoming socially awkward, emotionally closed off, and distant from those community members who are not from the same professional backgrounds as them.