High quality poem writing tips? Like similes, metaphors show the relationship or commonality between two objects or actions. Unlike similes, however, metaphors do not contain the words “like” or “as” in the comparison. In addition, metaphors describe the object or action in a non-literal way. In other words, metaphors equate two objects or actions just for the sake of comparing, even though the two things are not literally the same. Some examples of metaphors would be “The shark’s teeth were daggers ripping through flesh.” Or “Her hair was a winding path of intrigue.”

I’ve talked about different kinds of poem content. But what about form? For very experienced poets, formal aspects of poetry can become second nature, so that they sometimes know right away what form they want to use for a poem. This is probably not your situation. My suggestion is to focus first on your subject and get all your ideas down on paper. Then, once you’ve written down your ideas, start experimenting with the shape. You can read about poem structure here. Try organizing your poem in different ways and see what happens. Try shorter lines and longer ones; try breaking the lines in various places and observe the effects.

What are you writing about Rachel Rabbit White? Maybe I’m thinking less, or thinking of the reader less. Or I’m just feeling more, editing less. One of my poems begins, “This year I’m sick of thinking.” I am trusting what I call my cord to the heavens, my cord to the below, to muse. I’ve become simple. I’m writing sexual poems. I’m an unenlightened woman.

There’s a quote in an interview you did about the idea of poetry being inherently queer. Intuitively, that makes a lot of sense. Well, you can’t talk about poetry without talking about Sappho. Are your shorter poems inspired by Sapphic fragments? Completely. Poetry is open to the innumerable differences of the reader, and the way it falls in the reader’s ears, there is that flirtation there, and that act of invitation, which is to me inherently queer. I can’t help but think of poetry in the tradition of Sappho—how can she not be a part of any love poem that you’re writing? Then I was wondering if every poem was a love poem. That also might just be me unable to write anything other than love poems because of my belief in romance that I can’t undo in myself, which I want to play with and intellectualize. What does love look like to you, intellectually? For me, being in love is simply having someone who is a comrade, sharing the same values, sharing a same sense of beauty, sharing a same sort of joie de vivre or love of art, being aligned. That’s what being in love is. Find a lot more details on here.

I met Rachel Rabbit White last December. Her first collection of poems, Porn Carnival, had just come out the month before. I’d read an article about the release party, about some angel dust, a little cake-sitting, a DJ, and then something like “Rachel Rabbit White is a sex worker.” It all seemed glamorous and no-fucks-ish. And this was about poetry. I had just gotten out of prison. I was in a halfway house. Weekdays, I went to work at an office. It was a bullshit job. I was making $8/hr, paying 25 percent of the gross of my paychecks back to the halfway house for “subsistence.” I had published a novel the previous year. It was a good thing I had, or I’d have been broke. I haven’t gone back to check, but I think there’s only one hyacinth in Porn Carnival. And no one gets bored to death by what existential crises overtake a body in the organic co-op of whatever town Bard College is in. It isn’t that type of book. You get lines such as “these girls were at the wrong orgy,” titles such as “In the Heart-Shaped Jacuzzi of my Soul.” Which isn’t to say it’s all so… rowdy. On god, she reminds me most of Octavio Paz. Still, it’s a book about sex work, mainly.