Gerard Bryceland and the ascent of a portrait painter? When you are planning to draw a self-portrait, you must plan out your intentions before you start working. Can art be spontaneous? It can be, and you should embrace this. But when you are trying to create a finished piece of art, you should lay down a framework of what you intend to create, then start working toward that goal. For example, if you are planning to do a simple sketch, then there’s no reason you can’t draw on plain copy paper. But if you are planning on creating a finished self-portrait that you intend to frame, then you need to use a higher quality paper. If you are planning to add watercolor or acrylic or ink to your drawing, you need to use paper that can handle the moisture. If you plan to use oil paint, then you need to draw on paper that has been treated to be used with oil paint. The point here is that planning ahead of time to reach a goal should be your preferred method of working as an artist.
Before starting, here’s a personal tip: Place a mirror in front of you and look closely at your own facial features as you draw your portrait. Why, you ask? Your face is the most familiar face you know, you see it every day of your life and have unknowingly practically memorized all the vital details, so much so that you more or less know if you’re getting the proportions right or not. Now, you’re ready to start! The important thing to keep in mind in this first step is to have a good sense of the space on your paper where you plan on drawing your face, so that you can plot out the optimum placement of your subject that will make for a good composition. There’s nothing more frustrating than spending so much time perfecting your drawing, and then belatedly realizing that you ran out of space.
Gerard Bryceland‘s tricks about portret painting: The light tones are applied in a glaze of titanium white to enhance the existing form and to add some texture by suggesting traces of perspiration or oily skin. Note also how the form of the lips is completed with skin tones before any color is added to redden them. A variety of small brushstrokes, stippling and smudging is also used for the light tones. Refining the tone, color and texture is the final stage of painting the skin. Warmer scarlet and naphthol crimson are carefully stippled as thin glazes to suggest the blush of the cheeks, lips and subtle variations in the complexion. The dark and light tones applied in the first two stages are finally heightened for dramatic effect by increasing their contrast and smoothing out any irregularities in their paint surface.
How To Draw An Accurate Self-Portrait? Drawing a human face is one of the most challenging artistic endeavors. There is nothing that people are more familiar with than the human face, so if you draw a human face that isn’t proportionate, or that has anything else wrong with it, people will notice. Drawing a human face that has a recognizable likeness is even more challenging since every face is unique. If you are drawing a portrait capturing a likeness is very challenging, and for many artists, it’s even more challenging when it’s their own face they are drawing. Fortunately, there are many different techniques that you can try employing to capture a realistic likeness of your face.
About Gerard Bryceland: I’m Gerard Bryceland an artist based in Maidstone Kent and regularly get commissioned to do work doing paintings and portraits of people and their families. I’ve always been an artist from my childhood, I loved drawing my friends and family initially just to mess around with my friends and had a lot of fun drawing them. But as i got older it really just became a business as my friends and their families would want me to do family portraits and that type of thing. With word of mouth word gets out and before you know it you know it I’m 35 and still doing the same thing.