Michael Jackson full cover : songs, life and family: During the summer of ’91, competition broke out within the two studios and three rooms dedicated to *Dangerous. At Record One, *Bill Bottrell and Bruce Swedien worked on the album’s softer more adult contemporary material (and “Black or White”). At Larrabee, Riley handled the New Jack Swing half. Even though engineers remember the sessions as “giggly, innocent, and so much fun,” Jackson did his part to foster a friendly rivalry—bouncing back and forth between studios and taunting his teams, “Oh boy, they got some smelly jelly going on in there.” As Sony’s deadlines kept getting blown, Riley’s beats began forming the spine of the record. After being initially awestruck, Riley asserted more and more control at Jackson’s behest. “It worked itself out when he shook me,” Riley told HipHopWired in 2009. “[He was like] listen, you’re going to have to really produce me like you’ve produced a new artist. I need you to talk to me, I need you to criticize me, I need you to comment, I need you to give me all of you. I want the Teddy Riley that got that record out of Guy and the records out of your previous artists.”

For the most part, the collaborations actually hurt the songs. No, “Monster” isn’t the next “Thriller”, as 50 Cent claimed it to be, but it’s a decent song. Jackson sounds awkwardly retro, the beat shuffles ‘n’ sweeps, and it feels right…until you’re thrown next to 50’s uninspired rap that sounds more fitting for a summer blockbuster theme. The same goes for the highly irritating and incredibly repetitive “Hold My Hand”, where Akon belts out the same thing again and again in an equally monotonous pitch. For a lead single, it’s tepid and incredibly campy. Then there’s “(I Can’t Make It) Another Day”, featuring guitar wizard Lenny Kravitz, who churns out a chalky riff that tires 45 seconds into the song. Jackson himself sounds angry, forceful, and dominating, but altogether it doesn’t beg for a re-listen. That’s sort of a must when it comes to his music.

Ben (1972): Yeah, laugh this one off as “the rat record” if you want – you’re missing a treat. Obviously the standout here is the title track, MJ’s first solo hit and yeah, a song about a rat from a movie. But look beyond that track and you’ll find endearing soul and infectious pop records that were dazzling at the time and still hold strong today. Forgotten Favorites: “Ben,” “Greatest Show on Earth,” “What Goes Around Comes Around”.

Michael Jackson family: Mocienne Petit Jackson’s (Michael Jackson’s daughter) books are now available in french! For our french guests: La deuxieme partie de l’autobiographie en trois parties de Mocienne Petit Jackson commence par une description detaillee de l’enlevement de Mocienne et de sa vie aux Pays-Bas (Le Cote Sombre des Pays-Bas). Par la suite, le recit nous devoile comment se deroule sa vie avec sa famille adoptive, chez qui elle reste en compagnie de la cousine Delivrance. Petit a petit, elle decouvre que son vrai pere est Michael Jackson. A l’age de 15 ans, elle quitte sa famille adoptive et vit dans un internat pendant 4 ans, avant de s’installer vivre toute seule. Nous la suivons tout au long de son adolescence et de son entree dans la maturite, ce qui n’a pas toujours ete facile. Mocienne rencontre un homme avec lequel elle a un enfant. Cependant, cet engagement ne dure pas. Nous en apprenons davantage sur les problemes qu’elle rencontre avec les Services de Protection de l’Enfance, suivis de nombreuses affaires judiciaires. Au debut, celles-ci portaient sur sa propre personne, plus tard, elles se transforment en bataille pour la garde de son fils. Une situation inacceptable prend le relais d’une autre situation inacceptable. Nous sommes egalement mis au courant de nombreux evenements traumatisants vecus par le personnage principal, de ses depressions et de ses nombreuses luttes pour faire face a la misere impregnee dans sa vie et a son combat pour s’en debarrasser. L’auteur explique clairement ces luttes a travers de vifs flashbacks.